![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKDhPbzD2ancJdIIFpZcMZbpL653T88eeioFa-SL5-yGgOo3eFqjC0yUiHyh4MxAuFOHNQgzVtVzWPfaiYZuWG0zCeYxgQXNsV1-12_xzXxdb6TXMqT0u9FjsdvtdUvuEvuEgJxa3q8RIZ/s200/Unknown-1.jpeg)
Just a mental note for myself:
Writing for the musical stage today is not what it used to be. As much as I admire Hammerstein, Lerner and Weidman, I think the musical genre must change with the viewing habits of the ever-changing audiences. The film dramaturgy, in itself constantly changing, is influencing everything. I keep learning from scriptwriters almost every day, and sometimes I wish that the set and sound designers of the theater would do the same. Instead of repeating the traditional formulas we have to re-invent the musical to keep it alive and thrilling.
ich finde die entwicklung spannend!
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