 The advice I am giving always to all my students is above all to study the music profoundly... music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees.
The advice I am giving always to all my students is above all to study the music profoundly... music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees. Andres Segovia 
 The advice I am giving always to all my students is above all to study the music profoundly... music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees.
The advice I am giving always to all my students is above all to study the music profoundly... music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees.  Forgiveness is the answer to the child's dream of a miracle by which what is broken is made whole again, what is soiled is made clean again.
Forgiveness is the answer to the child's dream of a miracle by which what is broken is made whole again, what is soiled is made clean again.  Turning the cartoon series Spiderman into a musical has so enraptured the director, Julie Taymor, and the composers, Bono and the Edge, of U2, that they have built a $70 million  show around him, replete with perspective-skewing scenery and flying sequences that are unprecedented for Broadway. That's a high goal, but the creators want even more. Being artists who dream big they compare the show’s themes to great literature and philosophy. “We’re wrestling with the same stuff as Rilke, Blake, ‘Wings of Desire,’ Roy Lichtenstein, the Ramones — the cost of feeling feelings, the desire for connections when you’re separate from others,” said Bono in an interview. “If the only wows you get from ‘Spider-Man’ are visual, special-effect, spectacular-type wows, and not wows from the soul or the heart, we will all think that we’ve failed.” Spider-Man, the musical, is scheduled to open on January 11th at the Foxwoods Theatre.
Turning the cartoon series Spiderman into a musical has so enraptured the director, Julie Taymor, and the composers, Bono and the Edge, of U2, that they have built a $70 million  show around him, replete with perspective-skewing scenery and flying sequences that are unprecedented for Broadway. That's a high goal, but the creators want even more. Being artists who dream big they compare the show’s themes to great literature and philosophy. “We’re wrestling with the same stuff as Rilke, Blake, ‘Wings of Desire,’ Roy Lichtenstein, the Ramones — the cost of feeling feelings, the desire for connections when you’re separate from others,” said Bono in an interview. “If the only wows you get from ‘Spider-Man’ are visual, special-effect, spectacular-type wows, and not wows from the soul or the heart, we will all think that we’ve failed.” Spider-Man, the musical, is scheduled to open on January 11th at the Foxwoods Theatre.
 According to Harvard University researchers, Babies born in October and November have the longest life expectancy and best chance of good health. If you're born at this time of year you have a better chance than others to become a professional footballer or an Olympic athlete. Also, Babies born between December and February grow into taller, brighter and more successful adults than their summer counterparts. They are also less likely to need strong spectacles.
According to Harvard University researchers, Babies born in October and November have the longest life expectancy and best chance of good health. If you're born at this time of year you have a better chance than others to become a professional footballer or an Olympic athlete. Also, Babies born between December and February grow into taller, brighter and more successful adults than their summer counterparts. They are also less likely to need strong spectacles.  Mary Rodgers defines the "Why-Musical" as a perfectly respectable show based on a perfectly respectable source, that has no reason for being. Why-Musicals usually come from successful novels, movies or plays. Their authors, blinded by the proven potential of the source material, never question the need to turn it into a musical. They never ask themselves what music and songs will do for the story that hasn't already been accomplished by the original work.
Mary Rodgers defines the "Why-Musical" as a perfectly respectable show based on a perfectly respectable source, that has no reason for being. Why-Musicals usually come from successful novels, movies or plays. Their authors, blinded by the proven potential of the source material, never question the need to turn it into a musical. They never ask themselves what music and songs will do for the story that hasn't already been accomplished by the original work.  Sunday's New York Times reports that a slaughterhouse in Queens/New York committed to the idea that people should know where their food comes from. It lets customers select and kill animals of their choosing. They are allowed to witness the slaughter and even, for those so inclined, to wield the sharpened knife. Allegedly it’s all part of the broader cultural effort to escape the climate-controlled, linoleum-lined artificiality of supermarket shopping, in which meat magically appears all ready for your oven and animals are characters in children’s storybooks. Reading this I remembered a scene in a Woody Allan film the title of which I forgot. He sits in a restaurant and the waiter shows him various kinds of fresh fish to choose from. "Don't tell me their names," Woody says. "I don't care to be introduced to my dinner."
Sunday's New York Times reports that a slaughterhouse in Queens/New York committed to the idea that people should know where their food comes from. It lets customers select and kill animals of their choosing. They are allowed to witness the slaughter and even, for those so inclined, to wield the sharpened knife. Allegedly it’s all part of the broader cultural effort to escape the climate-controlled, linoleum-lined artificiality of supermarket shopping, in which meat magically appears all ready for your oven and animals are characters in children’s storybooks. Reading this I remembered a scene in a Woody Allan film the title of which I forgot. He sits in a restaurant and the waiter shows him various kinds of fresh fish to choose from. "Don't tell me their names," Woody says. "I don't care to be introduced to my dinner." Last week at a New York department store. I took the elevator to the fifth floor. The car was packed. Among some twenty people in the car was a sturdy man in his fifties holding a big dog on a leash. Grumpily he demanded a young Asian woman to step back to allow his dog to sit. The Asian woman said, she couldn't possibly step further back because of the people standing behind her. This answer made the man hiss at her: "Why don't you go back to China!" Immediately all the other people in the car responded. "How dare you!" – "Racist!" – "Get out of here!" – "You ought to be ashamed!". The man with the dog had no choice but to leave the elevator at the next stop. And I thought, this is why I love New Yorkers. They take a stand.
Last week at a New York department store. I took the elevator to the fifth floor. The car was packed. Among some twenty people in the car was a sturdy man in his fifties holding a big dog on a leash. Grumpily he demanded a young Asian woman to step back to allow his dog to sit. The Asian woman said, she couldn't possibly step further back because of the people standing behind her. This answer made the man hiss at her: "Why don't you go back to China!" Immediately all the other people in the car responded. "How dare you!" – "Racist!" – "Get out of here!" – "You ought to be ashamed!". The man with the dog had no choice but to leave the elevator at the next stop. And I thought, this is why I love New Yorkers. They take a stand.   Researchers from the Max Planck Institute for Evolutionary Anthropology in Germany report that children as young as 3 are less likely to help a person after they have seen them harm someone else — in this case adult actors tearing up or breaking another adult’s drawing or clay bird. More intriguing is that the toddlers judged a person’s intention. When one person tried to harm someone else but did not succeed, the youngsters were less likely to help that person at a later time. But when they observed a person accidentally cause harm to another, they were more willing to help that person.
Researchers from the Max Planck Institute for Evolutionary Anthropology in Germany report that children as young as 3 are less likely to help a person after they have seen them harm someone else — in this case adult actors tearing up or breaking another adult’s drawing or clay bird. More intriguing is that the toddlers judged a person’s intention. When one person tried to harm someone else but did not succeed, the youngsters were less likely to help that person at a later time. But when they observed a person accidentally cause harm to another, they were more willing to help that person. I have never made but one prayer to God, a very short one: 'O Lord, make my enemies ridiculous.' And God granted it.
I have never made but one prayer to God, a very short one: 'O Lord, make my enemies ridiculous.' And God granted it. Nothing in the world is permanent, and we're foolish when we ask anything to last, but surely we're still more foolish not to take delight in it while we have it. If change is of the essence of existence one would have thought it only sensible to make it the premise of our philosophy.
Nothing in the world is permanent, and we're foolish when we ask anything to last, but surely we're still more foolish not to take delight in it while we have it. If change is of the essence of existence one would have thought it only sensible to make it the premise of our philosophy. I owe my success to having listened respectfully to the very best advice, and then going away and doing the exact opposite.
I owe my success to having listened respectfully to the very best advice, and then going away and doing the exact opposite. Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do, every day, something no one else would be silly enough to do. It is bad for the mind to continually be part of unanimity.
Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do, every day, something no one else would be silly enough to do. It is bad for the mind to continually be part of unanimity. In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.  In the 50s and 60s, Ethel Merman was one of the greatest Broadway stars. After a performance of the 1966 revival of Annie Get Your Gun, she summoned Jerry Orbach, one of the supporting actors, to her dressing room. She was upset. "What were you doing during my speech in the boat scene," she demanded. "Nothing, Miss Merman," Jerry said, baffled. "Yes, you were; you were doing something," she insisted, "I saw it out of the corner of my eye."- "I was only reacting to your speech," he replied, "I acted."- "Look," she snapped, "you don't act when I talk. Don't you ever react to my lines, I don't react to yours, okay?"
In the 50s and 60s, Ethel Merman was one of the greatest Broadway stars. After a performance of the 1966 revival of Annie Get Your Gun, she summoned Jerry Orbach, one of the supporting actors, to her dressing room. She was upset. "What were you doing during my speech in the boat scene," she demanded. "Nothing, Miss Merman," Jerry said, baffled. "Yes, you were; you were doing something," she insisted, "I saw it out of the corner of my eye."- "I was only reacting to your speech," he replied, "I acted."- "Look," she snapped, "you don't act when I talk. Don't you ever react to my lines, I don't react to yours, okay?" "The theatre is supremely fitted to say: 'Behold! These things are.' Yet most dramatists employ it to say: 'This moral truth can be learned from beholding this action.' "
"The theatre is supremely fitted to say: 'Behold! These things are.' Yet most dramatists employ it to say: 'This moral truth can be learned from beholding this action.' "