“I didn't have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let's say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
Don't walk behind me; I may not lead. Don't walk in front of me; I may not follow. Just walk beside me and be my friend.
A new production of Rent opened in Havana, Cuba, on Christmas Eve. The Broadway musical is the first to open in Cuba in decades. Rent is a rock musical with music and lyrics by Jonathan Larson[1] loosely based on Giacomo Puccini's opera La Bohème. It tells the story of a group of impoverished young artists struggling to survive and create a life in New York City's East Village in the thriving days of Bohemian Alphabet City, under the shadow of HIV/AIDS. Three years ago the Cuban Ministry of Culture invited NWE (a veteran American entertainment business and prolific Broadway producer) – to "explore what was happening creatively in Havana". Nederlander responded by bringing Broadway Ambassadors – a revue of Broadway hits sung by Broadway actors – to the 14th Annual Havana Theatre Festival, and the reaction was so positive that he was encouraged to return with something more ambitious: Rent.
Once again, we come to the Holiday Season, a deeply religious time that each of us observes, in his own way, by going to the mall of his choice.
Last October Jerry Seinfeld received a Clio award for co-staring with Bill Gates in commercials for Microsoft, writing the ads for Acura cars and promoting American Express. The Clio is a well-respected international advertising award. Seinfeld’s acceptance speech was a comic masterpiece. “I love advertising, because I love lying,” Seinfeld told his audience of of advertisment bosses: “We know the product is going to stink. We know that.”
Tam Mutu, the West End leading man known for his roles in Les Misérables, Love Never Dies and the upcoming Donmar Warehouse production of City of Angels, was supposed to play Maxim in the Broadway production of Rebecca that was cancelled due to financing problems. He had to wait for more than two years to get another chance to present himself on Broadway. Now he's got it. He will star in the new musical Dr. Zhivago, playing the title role. The show will also feature Barrett (Wicked, Rock of Ages) as Lara Guishar, Tony Award nominee Hewitt (Rocky Horror Show, Dracula) as Viktor Komarovsky, Nolan (Once, Jesus Christ Superstar) as Pasha Antipov and Josh Canfield as Liberius. The musical Dr. Zhivago features the work of bookwriter Michael Weller (Moonchildren, Loose Ends), composer Lucy Simon (The Secret Garden) and lyricists Michael Korie (Grey Gardens) and Amy Powers (Lizzie Borden). It will begin performances March 27, 2015, at the Broadway Theatre.
“I’ve decided that gratitude – rather, gratefulness – is the essence of joy, the basic emotion, what we feel when we hear music we love, or look at our loved ones, or simply breathe; and growing old means only losing that emotion. The retention of gratefulness is the guarantee of continued youth.”
"One ought to be accustomed, by now, to Pynchon’s leaving his mysteries unresolved, or at least prepared to give him credit for having done so on purpose. Incompleteness is the inherent vice of paranoid theories of history, the limitation of such theories that Pynchon has always freely acknowledged. Criticism of Pynchon’s “shaggy dog” or sloppy plotting neglects the emphasis that he has always laid on the dual meaning of the word plot. From V. forward, nearly all his novels have been founded on a bedrock of detective fiction and underlayed with science fiction, boy’s adventure, westerns, spy fiction, and other genres that rely, like conspiracy theories, on plotting. His broken plots expose the epistemological brokenness of paranoid systems, which are, after all, nothing but attempts, grander but no less doomed to failure than anyone’s, to make sense of a broken world."
Since 2012, when the European Union passed a revised copyright law, extending the copyright on recordings from 50 years to 70 – but only if the recording was published during its first 50 years – record companies have been exploring their vaults for potentially marketable material in danger of losing its copyright protection if it is not released. That first year, Motown released a series of albums packed with outtakes by some of its major acts, and Sony released a limited-edition collection of 1962 outtakes by Bob Dylan, with the surprisingly frank title, “The Copyright Extension Collection, Vol. I.” In 2013, Sony released a second Dylan set, devoted to previously unreleased 1963 recordings. Similar recordings by the Beatles and the Beach Boys followed. For collectors, these sets are a boon, and they are becoming increasingly plentiful as the 50th anniversary of each year of the 1960s rolls around, moving deeper into the rock era. Record labels, however, have complied with the publication requirement reluctantly, releasing the sets in small quantities, or making them available only as digital downloads. This year’s trawl is starting to shape up. Sony has told European retailers that it will release a nine-LP set of 1964 recordings by Mr. Dylan, possibly as early as next week. Only 1,000 copies will be available, but if past years are any guide, collectors who obtain copies are likely to make copies available online before the year is out.
The Library Of America has just released a boxed set of two volumes featuring the complete books and lyrics of 16 Broadway classics, such as Show Boat, As Thousands Cheer, Oklahoma!, On the Town, South Pacific, My Fair Lady, Gypsy, Fiddler on the Roof and Cabaret. Each of these classic musicals has evolved over time, receiving many important revivals and new productions. This Library of America boxed set offers readers unprecedented insight into this living history with a selection of hard-to-find or previously unpublished supplementary items, including lyrics of songs dropped out-of-town or added in later revivals. Lavishly illustrated with photographs and other images drawn from the original productions, the set also contains biographical sketches of the book writers and lyricists; cast lists and other information about the shows’ Broadway openings; and detailed accounts of the path each show took on the road to Broadway. As a special feature, the box includes 16 full-color postcards reproducing the original show posters.
Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.
John Rando, who won a Tony Award for “Urinetown” and directed the ill-fated Broadway production of the mutilated "Dance Of The Vampires", has turned down the offer to sign on as director of the new big-budget musical “King Kong”. He had been in advanced negotiations for the job and spent several days last month with the musical’s producer and artists in Australia, where the show – and its 20-foot-tall Kong puppet – was developed and had a world-premiere run in 2013 that altogether cost a reported $30 million, a far higher sum than most Broadway shows.
Martin Luther was condemned for heresy and excommunicated in 1521 by Pope Leo X, who had initially dismissed him as “a drunken German” and predicted he would “change his mind when sober”. Luther never intended to split Christianity but only to purge the Church of corrupt practices. Nevertheless he came very close to being burned alive.
