"Broadway is not a jungle, it is a machine into which a great many parts snugly interlock. Yet each of these parts is brutalized; it has been deformed to fit and function smoothly. This is the only theatre in the world where every artist - by this, I mean authors, designers, composers, lighting electricians, as well as actors - needs an agent for his personal protection. This sounds melodramatic, but in a sense everyone is continually in danger; his job, his reputation, his way of life is in daily balance. In theory, this tension should lead to an atmosphere of fear, and, were this the case, its destructiveness would be clearly seen. In practice, however, the underlying tension leads just as directly to the famous Broadway atmosphere, which is very emotional, throbbing with apparent warmth and good cheer."